“A Shovel of Stars Overhead: Where to? What next?”
The program includes eurythmy performed to the poetry of Langston Hughes, Archibald MacLeish, Denise Levertov, and Walt Whitman, and the compositions by Henry Cowell, Grigory Smirnov, Jean Sibelius, Frédéric Chopin, and Antonin Dvorak's final movement of the “Dumky” piano trio featuring violin and Cello.

When the curtain rises on a eurythmy performance, the audience is drawn into a world where gesture, movement, and choreographed forms are uniquely integrated. The eurythmists move through rich, flood-lit colors in a space that feels alive, not empty. The eurythmists' silk dresses subtly amplify their movements, expressing through color and design the innate character of the piece being performed. Layered over each dress is a gossamer-thin silk veil whose movements complete the invisible sound forms begun with each gesture.

Eurythmy embodies the artistic conversation between the seen and unseen, the performers and the space, and between the eurythmists' movements and the speakers' or musicians' live sounds. To see eurythmy imparts a healing experience of the inner life that underlies what is being outwardly embodied in movement and sound. When expressed in eurythmy, the gestures and forms within sound bring about a rejuvenating, strengthening, and healing balance and integration.